VERBicide by Jeff De Verb is a lyrical offering from the many perspectives of a maturing Spoken Word poet. The energy throughout the project keeps things fresh, while the slick wordplay brings one back again and again.
Poet Jeff De Verb opens the project like a love letter from one mind to another. He takes his time in speaking to his lady, empowering her and showering her with his affections. However, after the heartfelt poem ‘The Valley‘, everything about the project shifts drastically. (more…)
Group pieces are always fun. Your typical group piece takes ample time and practice to create a single profound and succinct message. The message touched on by Separate From Separation is one of love and unity.
The video, itself, builds a tone with soft background music, and is powerful in its minimalist nature. Despite, how little there is going on in the video, the separation of the speakers is striking and obvious. This a dope piece, but even doper video.
Christian Richardson has tapped into the root of the Spoken Word movement with this piece, ‘Negro‘. Loud, passionate, and revolutionary, Richardson holds nothing back in his authentic diatribe and look into his culture. Short and sweet, this piece is a spark waiting to light a greater fire to come.
This piece is a ‘knowledge-dropper’. I made up that word, but the idea remains.
Paulie Lipman is more than just entertaining in this piece. The piece is made to teach. This piece is an analysis of the words we use, and our collective amnesia of the meaning that lies behind them. The focus of this piece is on the word, “Ghetto”, but the lesson to be gained is so much more expansive.
Camil Williams is a recent transplant from Chicago just trying to settle into the Atlanta vibe. As a world traveler and troubadour, she is more than experienced in her art. I’m putting emphasis on the word ‘art’, because Williams is more than just a poet, she is an artistic powerhouse and renaissance woman.
She has performed and presented art workshops at a host of conferences, high schools, and universities; locally and abroad, as part of the women centered activist-performance duo, AquaMoon. Using Hip Hop Feminism as a tool for creating awareness and dialogue on issues that marginalize and affect women of color, the duo co-authored several choreopoems, including Love Does Not Hurt and Aqua Beats and Moon Verses Vol. I.
Williams has also authored and released her debut, Butta to Fly: a collection of poetry, art and music (2007). Her artworks have been featured in the Ascend: Live Art and Jazz Showcase and the Humboldt Park Art Exhibit in Chicago. She’s appeared in several short and full-length films, including The Lies We Tell and Secrets We Keep and the hit web series, Between Women. She also writes and produces music for commercials, films and stage productions.
Re/Verb is an analysis of poets and the works that they make, however, Sans (aka Sterling Higa) is more than just a poet. Sans is a Hawaii native (Aloha and CHEE-HOO to all my people in Ewa Beach), public speaker, and scholar with a new project that runs in the vein of Lil Wayne’s ‘No Ceilings’. The album, #GradLife, is a one man slaughter-fest of industry beats.
Gemini season is upon us, and for some strange reason this season has birthed many of today’s beloved hip-hop favorites including Andre 3000, Kanye West, Kendrick Lamar, The Notorious B.I.G. and Tupac Shakur to name a few. Regardless of how much you may like or dislike these artists, there’s one undeniable trait that these artists have in common – the ability to be unapologetically true to themselves. This trait can occasionally have negative side effects, but little is greater than knowing who you are, your gifts and flaws, and still having the courage to share those intimate components of self with the world. “Black Rage”, a song by a hip-hop artist, actress, songstress, and Gemini, Lauryn Hill, gives us a glimpse of the importance of self-knowledge and courage on the societal level.
When you listen to The Open Mic Pt. 1, LISTEN. Turn off your TV, tell your friend to hush, go on a walk, ignore your cellphone. Idlewild’s ‘The Open Mic Pt. 1′demands your attention, and if you’re not listening, you’ll miss everything.
Saul Williams is little else than an innovator in the Spoken Word community. With movie and broadways credits, meaningful written word, as well as multiple albums worthy of acclaim, Saul Williams has done it all.
With a new album on the horizon, MartyrLoserKing, Saul has officially released his newest track, Burundi. Burundi is a treasure trove of lyrical flair examining technology, activism, and the current social unrest in Burundi/ Central Africa.
By teacher, I don’t mean someone paid to stand in classrooms, repeat text books word for word, and assign classwork.
By teacher, I mean someone committed to the education and well-being of future generations.
Matthew Foley is a teacher.
As an active writer and Spoken Word artist, Foley takes his teachings beyond the classroom. Entertaining and uplifting, Foley specializes in pastoral, often bohemian imagery that is irresistibly inspirational while smacking of spirituality. Foley’s debut album, What You will Need In Class Today, combines these stylings with Foley’s passion for the classroom. The result is a classic spoken word album with great production, that should be celebrated by pop-folk poets nationwide.