Christian Richardson has tapped into the root of the Spoken Word movement with this piece, ‘Negro‘. Loud, passionate, and revolutionary, Richardson holds nothing back in his authentic diatribe and look into his culture. Short and sweet, this piece is a spark waiting to light a greater fire to come.
First, mix your wordplay, performance, and imagery until a compelling flow is created.
Then, when the crowd is connected to the piece, sneak in your teaspoons of thought-provoking.
Mix well, bake beneath a lime-light for 3 minutes.
“The Top Secret Recipe For Aunt Phyliss’ Fried Chicken.” Poignant in it’s deception of the audience’s expectations, this poem is great for many reasons. This classic will grab hold of your attention, and may not let go.
What did you like about this piece? Do you want to see more like it? Let us know in a comment below.
This is a spoken word performance by Noah St. John. One of my friends put me on to this a few weeks ago, and it just woke me up creatively.
Noah speaks about practicing the Brazilian art of Capoeira, which was born during a time of African slavery. Capoeira incorporates songs, flexible acrobatics, and is played almost like a game. Noah displays all of those elements in his performance. He sets aside the mic stand from the beginning and makes use of the entire floor space. He admits that this art form is not from his culture, but that he is borrowing it in order to understand and share in the experience.
At 14 years of age Willow Smith does a lot more than just whip her hair. In a few short years, we have watched this young lady go from simply sharing her appetite for wonder to exploring topics in a way that people rarely share. It is remarkable to watch her growth and there is no better song to highlight that growth than ”Female Energy”.
Listening to “Female Energy” makes you feel as though you’re meditating somewhere above the Milky Way. The sound is tranquil with futuristic elements, and some of Willow’s ad-libs are reminiscent of spiritual chanting. It’s one of those songs on your playlist that you just relax and vibe to. Lyrically, the song is beautiful and contains a refreshing amount of thought and depth. It explores the process of letting your own energy manifest while learning how to let go.
When you listen to The Open Mic Pt. 1, LISTEN. Turn off your TV, tell your friend to hush, go on a walk, ignore your cellphone. Idlewild’s ‘The Open Mic Pt. 1′demands your attention, and if you’re not listening, you’ll miss everything.
Saul Williams is little else than an innovator in the Spoken Word community. With movie and broadways credits, meaningful written word, as well as multiple albums worthy of acclaim, Saul Williams has done it all.
With a new album on the horizon, MartyrLoserKing, Saul has officially released his newest track, Burundi. Burundi is a treasure trove of lyrical flair examining technology, activism, and the current social unrest in Burundi/ Central Africa.
By teacher, I don’t mean someone paid to stand in classrooms, repeat text books word for word, and assign classwork.
By teacher, I mean someone committed to the education and well-being of future generations.
Matthew Foley is a teacher.
As an active writer and Spoken Word artist, Foley takes his teachings beyond the classroom. Entertaining and uplifting, Foley specializes in pastoral, often bohemian imagery that is irresistibly inspirational while smacking of spirituality. Foley’s debut album, What You will Need In Class Today, combines these stylings with Foley’s passion for the classroom. The result is a classic spoken word album with great production, that should be celebrated by pop-folk poets nationwide.
Tommy Bottoms is a fire-starter in the Spoken Word community. Maybe “fire-starter” is putting it nicely, but with connections throughout the Spoken community and poetry that is both entertaining and mind-opening, no one can deny the work that he has put into his craft.
As co-host ofThe Ugly Truth Radio, perennial performer for BET’s Lyric Cafe and Russell Simmons presents… Def Poetry Jam, and writer/producer ofEducated Gangster 101, Bottoms is a veteran of the Spoken Word scene and ongoing innovator.
His skills have taken him throughout the United States to universities such as Morehouse College, Tuskegee University, and Auburn University, as well as abroad to London’s Theatre Royal Stratford East. His work has brought him in contact with Spoken Word greats like Amir Sulaiman, Queen Sheba, Malik Salaam, and Jon Goode. Tommy Bottoms has been around the game.
He has a style all his own. Each one of his performances treads the line of melodic and lyrical, yet aggressively intellectual. His subject matter – most often sociopolitical, tackles complex problems while remaining accessible to a wide range of audiences. With clever word play and booming voice, he commands an audience’s attention with words as entertaining as they are prolific. However, Bottoms lives his poetry. He is unafraid to piss off his audience if the message needs to be heard, and loves to shine an unflinching light on the ugly side of things.
More Than M.E.(Melodious Expressionista) by Kimbi the Goddess is a funky eclectic mix of spoken word infused with a jazz soul and broad sensibilities. With standout tracks like Ish and Moment, this is an album that is both easy on the ears and good for the soul.
Each track of More Than M.E. is representative of Kimbi’s own thoughts and experiences, but her navigation of these tropes often flirt with the profound. She weaves her truth through questions about God, black culture, love, and being. She champions oneness; oneness of man and woman, of god and humans, even the oneness between parent and child. It’s a beautiful message, and one that fittingly ties the project together.